the Taj Bakdour Shah ZafarThe last emperor of the Mongol, carries a great historical value and is currently part of the Royal Group in London, where it is still a permanent symbol of the rich history of India. The crown was obtained, along with the decorative throne chairs, by Major Robert Tyler after the Indian rebellion in 1857 and the subsequent fall from Mongol Empire. This main moment in Indian history led to the dismantling of the Mongol dynasty, which has been sentenced to most India for centuries.
The fall of the Mongol Empire came in 1857 after the British forces were successfully defeated the emperor Bakdour Shah ZafarWho was a symbolic leader during the uprising. Zafar, who had a nominal control over the regions of the Mongols, was exiled to Burma (modern Myanmar) after the British forces rid the rebellion. As a result, a major auction occurred in Delhi, on the occasion of the official party of the Mongol rule. The auction, which was organized to sell precious emperor property, has witnessed many valuable elements, including the drilling crown, precious jewelry, and antiques, which were sold to the highest offers. Among them is the presenter, Robert Tyler, a major figure in the siege of Delhi, who bought the crown of the emperor and the throne chairs. These elements, rich in symbolism, were part of the heritage of the Royal Emperor and were aimed at preserving the legacy of the Mongol Empire.

Major Robert Tyler, after participating in the military measures surrounding the rebellion, took these historical elements with him when he returned to England in 1860. Upon his return, Tyler approached by the Bond Street, who gave him a large amount of 1,000 pounds to the crown. However, instead of accepting the show, Tytler chose to present crown and throne chairs to Queen Victoria, and to understand the tremendous historical importance of these effects.
The crown and thrones of Queen Victoria were shown by communicating with Sir Charles Wood, Foreign Minister of India, who was written to Prince Albert, Queen Victoria’s wife, describing the crown in detail. He explained that the element was not a traditional crown, but rather “senior skulls” adorned the head of the emperor with the Haddour Shah Zafar. The crown was part of the Emperor’s head covers, with a turban wrapped around it. Made of a mixture of precious materials, the crown is characterized by gold, sapphire, diamond, emerald, turquoise, pearl, and velvet. The description presented by Sir Charles Wood revealed that this unique head was not only a royal symbol, but also a wonderful work of craftsmanship, indicating the rich heritage and artistic traditions of the Mughal Empire.
Given the historical and cultural importance of the crown, Prince Albert realized the value of these elements and asked for more details. After receiving this information, the crown was sent to Windsor for the personal inspection of Queen Victoria. After the evaluation, both the crown and the throne chairs were bought by Queen Victoria and added to the royal group, where they remain to this day. These things are an impressive reminder of the end of the Mongol Empire and the beginning of the British colonial rule in India.

Despite the historical value of the crown and chairs, the pioneer Tytler was not completely satisfied with the price he received. The agreed amount of the crown and the throne chairs was 500 pounds, which felt was very low for such elements of historical importance. Tytler hoped to obtain a more profitable deal and expected a positive appointment upon his return to India, justifying his efforts in obtaining these artifacts and presenting them to the British royal family. However, these promises were not fulfilled, leaving Teller and his wife, Harright Titler, with disappointment of the result. In Harright Tyler’s notes, she tells how her husband continued to be satisfied with the deal for many years, as both felt that the true value of the elements was not reflected in the price that Queen Victoria paid.
Today, Taj Bakdour Shah Zafar, along with the throne chairs, is still an important part of the Royal Group in London. These elements not only represent the cultural and artistic achievements of the Mughal Empire, but also symbolize the end of an era in Indian history. The crown, in particular, is considered a concrete relationship with the Mongols one day and its imperial legacy, while also indicating the transition to the British colonial rule in India. The effects continue in the families of historians, art lovers, and visitors to the royal group, standing as permanent symbols of the era of what constitutes the history of the Indian subcontinent.