As the Belgian film director, Chantal Akraman, said, “With a slow embrace, you give the audience the opportunity to see and really feel, instead of consumption,” the majority Millions Films follow this style of narration and is already intense and more attractive. Compared to other industries full of fast -paced commercial films, Mollywood follows a pattern that makes the masses invest more in characters and story story.
Not onlyKumbalangi nights‘
Regardless of the language, any effective story only if it takes some time to transfer the true essence of the public. Although Malayalam “Kumbalangi Nights” gets a lot of design and recognition from other language fans, there are many other slow slow drama films such as “Kammattipaadam”, “Thinkimuthalum Driksakshiyum”, “Nayattu”, and others that take time to keep Personalities and story. Only when characters or plots are well inserted into the minds and hearts of the masses, they are effective. The Malaylamia cinema will be the best study subject if you want to learn how to combine a slow novel with the elements that can entertain the masses.
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Fast pace movies are not effective? Big number!
Just to tell the story in a slow way and an intense way, this does not mean that it will be effective, and also just because the story is narrated in a fast way, this does not mean that the masses will not be invested in it. One of the examples of this is the film Sathyan Anthikad, “Ponmuttayidunna Thaaravu”. Sreenivasan star is an intense comedy drama movie that actually transmits his message to the masses and is also informed of a quick -minded narration. Has the film failed to persuade the audience? no.
Quickly forward, follow films like Drishyam, Premalu, Anjaa Pathira and many others, a quick -minded story and it was effective. In short, it is not only about editing multiple consecutive clips, assuming that the masses will participate-they are related to how to transfer the story and in any way.
“Sandhamham is still relevant to this day” – Sathaan Anticad
In an interview with Mathrubhumi, veteran director Sathyan Anthikad said that the stories related to the masses said. He said: “The truth is that every movie created for its own time. Some people often say films like Ponmuttayidunna Thaaravu, Thalaayanamanthram and Appunni should have been launched today. But I do not agree. Sandhine It is still appropriate to this day that our policy has not even advanced in an inch of what they were at that time. “
He also said, “Even today, when the political front is losing the elections, ideological reviews are caused. There are still discussions that analyze how hidden lights between opposition parties. Leaders continue to make calls to work, and party workers participate in the clashes, and water cannons are used in the demonstrators. Sandhine A era continues.
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“Kumbalangi Nights” is not a slow movie for me – the editor Saiju Sreedharan
Although many “Kumbalangi Lights” are slow, the Saiju Sreedharan editor is “quickly”. He said: “A few who thought that the pace was slow. For me, this film is very fast. In fact, we initially thought about making a very slower movie, but this is a movie for the first time, we did not want to bear this risk. Sigu said in the interview:“ Now that the majority’s response has become very positive, we are not worried at all. ”
Invest more time to transfer important things in narration
For any movie, the most important factor is its relationship with the public. Let’s take a good example which is “Drishyam” by Mohanlal and Jethu Joseph.
The majority of the audience feels that the first half of the movie plays like a slow family drama, while the second half turns into a wonderful movie. In fact, slowness in the first half helps in building characters and preparing, and preparing the public effectively for the exciting ride that is waiting in the last half. The deliberate speed and detailed stories novel in the first half have put the way for the second intense half, which is why allocating time for the main details in the movie is very important.
What ‘devil‘I did the right and Telgo The failure of a new edition
At a press conference, the Telgo Cheranjevi star, who acted in a new edition of Telego, told “Lucifer” that he was not completely satisfied after watching Pritherjaj Sukumaran. He also said that a new edition of Telego will not have any boring moments like “Lucifer” and will be a full artist.
This is where the “Telugu Remake” Godfather failed because he did not have the definition of details and the required personality that was when the Pritheraj Sukumaran was directed. “Lucifer” is just another political drama, but the slow speed and details required are what makes it completely different.
“Ensure that there is no repetition while composing a scene” – Rahul Sadasifan
Repeating is always boring, regardless of the speed of a movie or even a story. In an exclusive interview with the director of “Bhoothakalam” Rahul Sadasifan, he explained how he created a feeling of fear among the fans through the movie.
“Take advantage of the limited space in favor of the story, and make sure that there is no repetition while writing a scene, was some of the main challenges, but helped us get a solid story painting. The camera is often fixed in making the audience experience the ambiguity that begins to fear it. To become the house in a different side, then.
Even the speed of things?
The speed of the movie is important, but it eventually depends on the nature of the story that is transferred to the audience. Film KGF It takes advantage of a quick-minded narration, however certain moments-such as the cakes and the mother scene-require time and details to ensure emotional depth and the public investment. Regardless of the chosen pace, every movie must have major elements that are presented effectively to keep the audience participating to the end. In this regard, the Malaylami cinema succeeded in mastering the art of novel novel.
